top of page

​Nunn, Catherine 2025 'Materials and Techniques' in E Freak, T Lock, T & W Tunnicliffe (eds), Dangerously Modern: Australian Women Artists in Europe 1890-1940. Art Gallery of New South Wales and Art Gallery of South Australia, Sydney and Adelaide, pp. 124-127.

Nunn, Catherine 2024 'Material practice in Morocco: Hilda Rix Nicholas' paintings and drawings in Tangier' in Bridging the Gap : Synergies between Art History and Conservation, Edited by Birgitte Sauge, Thierry Ford, Tine Frøysaker and Klaas Jan van den Berg. Archetype, London, 2024, pp. 259-260.

​​​

Nunn, Catherine 2024, ‘Materials and Techniques’, in P Hughes (ed.), Lands of Light: Lloyd Rees and Tasmania, Tasmanian Museum and Art Gallery, Hobart, pp. 143-147.

 

Nunn, Catherine 2011, ‘“Less slick and not so clever”: the materials and techniques of the Foxes’, in A. Goddard (ed.), Art, Love & Life Ethel Carrick & E. Phillips Fox. Brisbane: Queensland Art Gallery/Gallery of Modern Art, pp. 123–127.

Alabone, G, Eastaugh, N, Francis, K, Gupta, A, Lehmann, A and Nunn, C 2022, ‘Voices from the Field: Technical Art History Today’, Material­ Journal, vol. 1, iss. 3 viewed 31 December 2022.

Nunn, C 2023 ‘Materials and techniques’ in S Engledow, Hilda Rix Nicholas: 28 October - 25 November 2023, Lauraine Diggins Fine Art, North Caulfield.


Nunn, C 2023, ‘Nunn on the Conservation of Meeson’, Castlemaine Art Museum, viewed 31 December 2023.

 

Nunn, C 2021, ‘Nunn on Longstaff, Part 1’, Castlemaine Art Museum, viewed 20 December 2021.

 

Nunn, C 2021, ‘Nunn on Longstaff, Part 2’, Castlemaine Art Museum, viewed 21 November 2021.

Bancroft, A., Nunn, C., and Richardson, C. 2016 ‘The Conservation of Two 19th Century Thai Buddhist Banner Paintings in a secular museum’, 8th International Lay Buddhist Forum (ILBF): Caring for the past, safeguarding the future: Buddhism, Heritage and Sustainability Preprints, 19-23 August 2016, Buddhayana, Padang Sidempuan, North Sumatra Indonesia.

Nunn, C  2014, ‘Conservation issues and the use of absorbent supports in the works of E. Phillips Fox (1865-1915)’, ICOM-CC 17th Triennial Conference Preprints, Melbourne, 15-19 September 2014, ed. J. Bridgland, art.1311, 8 pp. Paris: International Council of Museums

Nunn, C 2009, 'Doing battle in China, Holland, Norfolk and Cambridge: The treatment of a large painting from a country house collection, Simon de Vlieger’s Blockade of Amoy (1650)' AICCM Bulletin, pp 92-100

 

Nunn, C 2009, ‘The conservation history of an eighteenth-century collection: caring for the pictures of the Foundling Hospital’ Journal of the Institute of Conservation, Vol. 32, No. 2, pp 233-247

 

Nunn, C 2008, ‘The Making of Lamplight (1911) A preliminary study of the methods and materials of E Phillips Fox’ AICCM Bulletin, No.31, pp 15-27

 

Nunn, C 2008, ‘Benign neglect and Australian Conservation History’ Paintings Conservation in Australia from the Nineteenth Century to the Present: Connecting the Past to the Future - Contributions to the Eleventh AICCM Paintings Group Symposium, 9-10 October 2008, National Gallery of Victoria, Melbourne, pp 1-10

 

Nunn, C 2008, ‘The treatment of an un-lined eighteenth Century British painting in Australia’ extended abstract published in Conservation and Access Contributions to the IIC London Congress, 15-19 September 2008, International Institute for Conservation of Historic and Artistic Works, London 2008, p. 24

 

  • Facebook
  • LinkedIn
  • Instagram

©2026
Images courtesy The Hamilton Kerr Institute, The National Trust (Felbrigg Hall and Upton Park) and The Victoria and Albert Museum.

bottom of page